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“Aids in the Eighties was a very, very scary thing.
He led a promiscuous life as the gay world was rocked by Aids and worried for years that he had contracted the disease.It is a play about two hard-working composers, only one of whom is a genius.“God, to Salieri,” says Everett, “is inspiration, talent, passion and art, and he doesn’t have it.You can’t ever expect the world to see everything about yourself in the way that you do – certainly in terms of conducting a career as a homosexual in showbusiness. So people mostly said to me: 'Oh, but you’ve been so difficult and you’ve blown everything for yourself, you’ve sabotaged your own career.’ To a certain extent, it’s true, but to a certain extent, it isn’t.
There’s only a certain amount of mileage you can make, as a young pretender, as a leading man, as a homosexual.
We meet as he emerges from a rehearsal room in a central London church. There is a little nest of lines at the centre of his forehead and his skin is tanned.