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This last process was commercialised by the Lumieres but commercial success had to wait for their next colour process.In 1903 they patented a colour photographic process, the Autochrome Lumière, which was launched on the market in 1907.The date of the recording of their first film is in dispute.In an interview with Georges Sadoul given in 1948, Louis Lumière tells that he shot the film in August 1894.The Lumière Brothers were not the only ones to claim the title of the first cinematographers.The scientific chronophotography devices developed by Eadweard Muybridge, Étienne-Jules Marey and Ottomar Anschütz in the 1880s were able to produce moving photographs, as was William Friese-Greene's 'chronophotographic' system, demonstrated in 1890.In parallel with their cinema work they experimented with colour photography.They worked on a number of colour photographic processes in the 1890s including the Lippmann process (interference heliochromy) and their own 'bichromated glue' process, a subtractive colour process, examples of which were exhibited at the Exposition Universelle in Paris in 1900.
The brothers stated that "the cinema is an invention without any future" and declined to sell their camera to other filmmakers such as Georges Méliès. Consequently, their role in the history of film was exceedingly brief.
The original cinématographe had been patented by Léon Guillaume Bouly on 12 February 1892.
The first footage ever to be recorded using it was recorded on 19 March 1895.
and Jeanne Joséphine Costille Lumière, who were married in 1861 and moved to Besançon, setting up a small photographic portrait studio where Auguste and Louis were born.
They moved to Lyon in 1870, where son Edouard and three daughters were born.
The moving images had an immediate and significant influence on popular culture with L'Arrivée d'un Train en Gare de la Ciotat (literally, "the arrival of a train at La Ciotat", but more commonly known as Arrival of a Train at a Station) and Carmaux, défournage du coke (Drawing out the coke).